I've become a bit of
a cheerleader for novels that start with a slower burn. Primarily this is
because my stories aren’t of the type that set everything up in the first 250
words. I whinged about it here. I do appreciate pace in a book- it’s a large
part of what makes me love YA books- but I don't demand that I have to be
hooked in a paragraph. If the wording is good, I am more than happy to sit back
and let things unfold over the first three chapters. I can be generous like
that.
Two of the last few
books I have read had this slow fuse characteristic. I spotted it and consciously
read on, geared up to enjoy the ride. However, in these two cases
the ride went on and on and on... The thing with a slow fuse is that it
should still lead to an explosion. The ride has to still arrive somewhere, otherwise it isn't a journey, it's just passing time. Amusing as that might be, the payoff isn't overly moving.
The first, a book called Penelope that was shouted about in
various places, dawdled to the point of never actually getting anywhere. At
all. It covered the first year at
Harvard for a socially awkward girl. I felt I was being smartly led, and I was
happy to go as the small insights were well observed and humorous, but
frustratingly nothing ever came of it all. I was as flummoxed by the whole
experience as the MC was by Harvard. I had to check the Amazon reviews to see
if it was me that had missed the point. Apparently not.
I've just finished Prep, which has many accolades, and I
know I'm late to the party on this one. The writing and observation is great,
and the build is slow, allowing us to get a feel for how the MC feels about her
boarding school and peers on just about every single level. But 285 pages of small font before there is any proper drama?!? (I'm not counting fainting at having her ears pierced at page 63.) If the author's intention was to convey the four years of prep school as being long and drawn out, maybe she hit the mark after all.
Additionally, I don’t know if it
is coincidence, but I didn’t connect with or like either MC. Was it because I was shouting “Come on!!” at
them all the time?
Ultimately, my
slow-fuse cheerleader status just got adjusted. YAY! for measured starts that
let stories unfold, but BOO! for stories that take the reader's goodwill too far or don’t bring the goods at all.
Anyone else experienced this?
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